In 2013, the Oxford Dictionaries announced that “selfie” was their word of the year and defined it as “a photograph that one has taken of oneself, typically one taken with a smartphone or webcam and uploaded to a social media website.” As an art historian, I immediately started thinking about the kinds of self-portraits art’s greatest masters may have created if they had access to smartphones. In 2018, the Museum of Fine Arts Houston acquired a photograph titled “Monkey Selfie,” a selfie taken by a crested macaque in Indonesia using equipment belonging to British photographer David Slater, raising complex legal questions about art and copyright. I immediately started working on a series of lectures that I titled “Seeing Ourselves: The Art of Self-Portraiture from Dürer to the Selfie,” offering a panoramic overview of drawn, painted, sculpted and photographed self-portraits in Art History from Dürer and Rembrandt to the Post-Modern and Contemporary period. What do artists see when they are looking at themselves in the mirror? Self-portraits are not innocent depictions of reflections or distortions in the mirror. They are a complex visual language that involves a series of choices, from the simple “this is what I look like” to the multi-layered “this is who I am, or who I am not.” The artist’s ego as his or her own model raises a series of fascinating questions on self-representation and self-image, likeness, status, identity, role, story-telling and narcissism. As with any exercise in art appreciation, it becomes even more complex when self-portraits are examined from the viewpoint of both the artist and the viewer. Self-portrayal by artists may reflect their desire to record individualized features and appearance, to become self-important and famous, to stage likeness with self-esteem and self-confidence, alone or in company, for the present moment and for posterity. It is a very relevant and meaningful topic to explore in light of our 21st century’s obsession with selfies and the self. Dr. Anna Tahinci’s class, “Seeing Ourselves: The Art of Self-Portraiture from Dürer to the Selfie”, begins September 11th, 2018, at 10:00 a.m.